Event
Wyoming Evenings: What Is the Good of Work? (2/4)
What is the good of work? How and why did the future change from the sixties and seventies vision of a leisure society to an exhausting life of increasingly purposeless work? What are the implications of the shift from a Fordist model of production to a post-Fordist one? Why is work valorized in contemporary society? What happened to the critique of labor and its radical potential from the Middle Ages up through the strategies of the Situationists and others? As unemployment becomes an increasing reality, how might we think of unemployment as an artistic and philosophical category?
These questions will be examined during four events at the Goethe-Institut Wyoming Building in the East Village. Each event will involve two guests-one artist and one cultural producer of another kind. Marion von Osten and Tom McCarthy will be the guests at the second event on December 5.
Marion von Osten is an artist, curator, and theorist of culture and the arts. Her main fields of interest are the changed conditions of cultural work in neo-liberal and post-colonial societies, the governance of mobility and colonial and global modernity. Her engagement with the productivity of artistic, creative, and media-activist methods for generating new public spheres within and outside the art context is reflected in theoretical, artistic, and curatorial approaches. She has been a Professor for Art and Communication at the Academy of Fine Arts Vienna since 2006.
Tom McCarthy is an artist and writer. His novel "Remainder" won the Believer Book Award 2007 and is currently being adapted for cinema. The "semi-fictitous avant-garde art organization" he founded in 1999, the International Necronautical Society, emerges sporadically through publications, proclamations, media interventions and more conventional art exhibitions. His new novel, "C", will be published by Knopf in 2010.
The series takes its starting point in the observation that today the artist-defined by creativity, unconventionality, and flexibility-appears to be the role model for contemporary workers. Bohemians in general and the artists in particular are the perfect entrepreneurs.
Wyoming Evenings is organized by the Goethe-Institut New York and the Center for Curatorial Studies at Bard College, and curated by Maria Lind and Simon Critchley.
Maria Lind is a curator and critic, currently holding the position of director of the graduate program at the Center for Curatorial Studies at Bard College. Prior to coming to Bard, she directed the Kunstverein in Munich (2002-4) and IASPIS in Stockholm (2005-7). This fall, Sternberg Press is publishing a book with her writings from the last 15 years.
Simon Critchley is a Chair of Philosophy at the New School for Social Research in New York. He works in the history of philosophy, Continental philosophy, ethics and political theory. He is the author of ten books, including "Very Little...Almost Nothing" (1997), "On Humor" (2002), "Infinitely Demanding" (2007) and "On Heidegger's Being and Time" (2008). "The Book of Dead Philosophers" was published by Vintage in 2009 and was a New York Times bestseller. It is alleged that he is Chief Philosopher of the International Necronautical Society.
Events to follow in this series:
Saturday, January 30 (2010): Liam Gillick and Gianni Vattimo
Saturday, March 13 (2010): Carles Guerra and Michael Hardt
Download the Wyoming Evenings: What is the Good of Work? program brochure: http://www.goethe.de/mmo/priv/5196103-STANDARD.pdf (PDF, 150 KB).
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LocationGoethe-Institut Wyoming Building
5 E 3rd Street
New York, NY 10003
United States
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