Event
Engauge 2022 Incantations [In-Person Only]
Fri Nov 04: 9.00pm PDT
$13 General Admission
$10 Student/Child/Senior
$7 Member
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Festival - Engauge Experimental Film Festival 2022 [In-Person Only]
On Film
These films conjure experiences, using a variety of techniques, including direct animation, image layering, manipulated found footage, phytography, cyanotype, hand-processing, split screens and other strategies.
**Note: One film in this program contains rapidly flashing images.**
TRT: 77 min
VEGA
(Rocio Mesa, Spain, 2 min)
The land gives. The land traps. The land calls. VEGA (* Spanish): flat, low and fertile land. VEGA: It is the fifth brightest star in the night sky, and the second-brightest star in the northern celestial hemisphere, after Arcturus.
ZigZag (2022)
(Douglas Urbank, US, 8 min)
An arrangement of images in 16mm film, mostly from found footage, reshaped to create a graphic score, a curtain drawn and opened, an image concealed and revealed, a new rhythm imposed over an opposing motion.
Amulet
(Ruth Hayes, US, 2 min)
The bells, or koudounia, that goats and sheep in Crete traditionally wore served as amulets to ward off evil spirits. Still in use, they also help shepherds know where their flocks are and what they are doing. Animated to a track composed of koudounia samples, this films abstract imagery originated in cameraless techniques that include stencil and bleach on 16mm color stock, and cyanotype.
P L U M E
(Mike Rollo, Canada, 7 min)
Fingers pluck fallen evidence of flight; placed and traced to make avian light.
Midnight, Houston
(Krista Leigh Steinke, US, 3 min)
Shot on Super 8mm film, Midnight, Houston is a video poem that depicts, in mythic terms, a parents attempt to share with their child the beauties and depravities of the city of their nativity: Houston. A collaborative project with poet Nick Rattner, originally created for Location: Houston Poetry+Film Collaboration, sponsored by Aurora Picture Show and Public Poetry for the 2022 REEL Poetry Festival.
Music by Sherman Finch.
Mountain View #
(Markus Maicher, Austria, 3 min)
Three continuous zooms towards a landscape are deconstructed into a discontinuous appearance of single frames. The panoramic view is obstructed, the organic movement of the hand dissolved into structural variation of the basic units of film. Indexical content is inevitably present on the physical film strip and yet lost in the structure of the film.
Interlude
(Ans Mertens & Maika Garnica, Belgium, 10 min)
How can we imagine the resonance of a life that soon becomes a shadow and resounds as a slight vibration in its environment?
This was the central question that resonated with Maika Garnica and Ans Mertens during a residency at an elderly home in Antwerp during the coronavirus pandemic. This audio-visual exchange searches for texture, while the sounds and shadows take us on a journey along with our intimate thoughts and remembrances.
what [in my nature] is dying
(Rana San, US, 1 min)
On my birthday I arrive at the ocean, previous nights dream in tow. The film, wrapped around a circular glass pane, loops back on itselfexposed in the exposure under layers of sun-baked lemon lavender, topped with sand and salt water. 16mm cyanotype capsule of a solar return.
Cinegraffic Score
(Tim Grabham, United Kingdom, 5 min)
Celluloid film is reconfigured into a graphic musical score, with obscure narratives emerging as the film is reanimated. The soundtrack emerges from magnetic tape loops, field recordings, audio fragments and a DIY visual synthesizer.
Datura's Aubade
(Jean-Jacques Martinod & Bretta Walker, US, 15 min)
A farmer discovers a fallen meteorite in the high Chihuahua Desert. The Alien Earth and the Earth Alien commingle under the spell of a deadly nightshade.
I CAN SEE EVERYTHING BUT MY EYES (PUEDO VER TODO MENOS MIS OJOS)
(Leandro Varela, Argentina, 2 min)
Inspired by the mythological creature Ouroubouros, this visual experiment attempts to use temporality to recreate the form of a circle through the use of moving lines.
Incantation
(kalpana subramanian, US, 8 min)
A serendipitous encounter on distant shores. Colliding archives of body and place. Ominous scenes of a homelands militaristic pride. An incantation to freedom and belonging.
Into the Realm of the Night
(Patrick Müller, Germany, 6 min)
The transition from day to night. It magically casts a spell over us, we glide into it like water and enjoy it. Despite all its dangers it is the night we love.
SEAM
(Sheri Wills, US, 4 min)
SEAM is a short experimental film shot on Super8 film that explores everyday hauntings, drawing attention to the margins of experience.
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LocationNorthwest Film Forum (View)
1515 12th Ave.
Seattle, WA 98122
United States
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Accessibility
Ticketing, concessions, cinemas, restrooms, and our public edit lab are located on Northwest Film Forum's ground floor, which is wheelchair accessible. We have a limited number of assistive listening devices available for programs hosted in our larger theater, Cinema 1. These devices are maintained by the Technical Director, and can be requested at the ticketing and concessions counter.
The Forum does NOT have assistive devices for the visually impaired, and is not (yet) a scent-free venue. Our commitment to increasing access for our audiences is ongoing, and we welcome all public input on the subject!
If you have additional specific questions about accessibility at our venue, please contact our Patron Services Manager at cris@nwfilmforum.org
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