X
How do I get paid? Learn about our new Secured Funds Program!
  Afficher le site en English, Español, ou Français
La billetterie solidaire
Créez un compte !  |  Identifiez-vous
 
Trouver un événement Créer votre événement Aide
 
The OutBach® Festival of [Mostly] Women's Music
San Miguel Chapel
Santa Fe, NM
Partager cet événement :
Obtenir des billets
Aucune date n'a été activée pour cet événement.
Thank you for your support for The OutBach® Festival of [Mostly] Womens' Music. I hope to see you again in 2020.



Événement

The OutBach® Festival of [Mostly] Women's Music
On 13th September 2019 we celebrate the two-hundredth birthday of Clara Wieck, brilliant concert pianist and composer, and muse to a host of the Romantic era's better known composers, among them her husband Robert Schumann and their close and beloved family friend, Johannes Brahms. For this concert, Donna Coleman performs Vier Stücke aus Soirées Musicales opus 6, composed in 18341836 by Clara Wieck, four works that inspired her future husband Robert Schumann to create his opus 6 Davidsbündlertänze in 1837. Robert's borrowing of thematic material from Clara was an aspect of their secret courtship. Intermezzi and Capricci from the opus 76 set of Klavierstücke by Johannes Brahms complete the musical love triangle.

Musicologists and pot-boiler authors have long debated the prospect of a full-blown "affair" between Clara and Johannes. The fact is that Clara and Robert welcomed the young Johannes into their home, their lives, their musical encouragement, and the relationship between the three of them was a genuine Love Supreme. Robert died in a mental hospital at forty-six years of age, and Clara remained a steadfast friend to Johannes and an ardent supporter of his music throughout her long life that surpassed that of her husband by forty years. Brahms lasted barely a year after her death. A Love Supreme brings the story of this sad love triangle to life through the music created by three of music history's greatest composers.

Dr DONNA COLEMAN
Donna Coleman's performances of American music earned fellowships from the National Endowment for the Arts, the North Carolina and the Southern Arts Federations, the Rockefeller Foundation, the National Endowment for the Humanities, the Fulbright Foundation, Radcliffe College, and Second Prize in the first John F Kennedy Center International American Music Competition, among others. Her recording of Charles Ives's Concord Sonata for Amsterdams prestigious EtCetera label received Frances Diapason dOr and Editors Choice, and Christian Tarting's review for Diapason magazine claims, this Second Pianoforte Sonata . . . finds here its most convincing recorded version, due to its assertion, the assurance in its manner of effectively carrying out each detail, its analytical finesse. James North writing for Fanfare found Donna Coleman's performance of Ives's First Sonata (also on EtCetera) is grand and sweeping, strong and confident, filled with charm and overflowing with joy. It immediately becomes my preferred version.

A dual US and Australian citizen, for more than two decades Donna inspired Australia's finest talent as Head of Keyboard in the Victorian College of the Arts, produced dozens of world concert tours and direct broadcasts for ABC Classic FM, and created her OutBach® project that explores relationships between Indigenous, art, and popular music and creates performances in unexpected locations and combinations, including the world-first piano and didgeridoo collaborations. She recorded two compact discs for ABC Classics, Rags to Riches: A Syncopated Century and Havana to Harlem. Her own label OutBach® released Don't Touch Me, the Danzas Cubanas by Ignacio Cervantes (2010), described by Jean-Marc Warszawski, writing for musicologie.org, as a beautiful recording event. . . . a rare musical success, thanks to the serene majesty of the interpretation, the tone color, the presentation, and the interest and curiosity that these compositions arouse, and The Lost Lady (2015). All of Donnas CDs are available at amazon.com and iTunes.

She created The Emerson Trio to explore the rich repertory of chamber music by American composers, and the ensemble has performed for the popular Sundays Live series, streamed direct-to-air via internet, at the Los Angeles County Museum of Art annually since 2016. In November 2018, she produced and performed in the first OutBach® Festival of [Mostly] American Music in Santa Fe NM that featured her scripted version of Charles Ives's Concord Sonata.

Adresse

San Miguel Chapel (Afficher)
401 Old Santa Fe Trail
Santa Fe, NM 87501
United States
Carte en cours de chargement...

Catégories

Musique > Classique

Âge minimum : 12
Enfants bienvenus : Non
Chiens bienvenus : Non
Non-fumeur : Oui
Accessible aux fauteuils roulants : Oui

Contact


Contactez-nous
Courriel
support@brownpapertickets.com
Téléphone
1-800-838-3006 (Temporairement Indisponible)
Ressources
Développeurs
Aide
Acheteurs de billets
Suivi de commande
Parcourir les événements
Points de vente
Organisateurs d'événements
Créer un événement
Tarifs
Services
Achat billets pré-imprimés
Salles et établissements
Découvrez des événements locaux
Recevez des notifications quotidiennes ou hebdomadaires par courriel sur les nouveaux événements et billets à prix réduit dans votre quartier.
Inscrivez-vous pour des événements locaux
Restez branché
Suivez-nous sur Facebook
Follow us on X
Suivez-nous sur Instagram
YouTube
Qui sommes-nous ?
L'utilisation de ce service est soumis aux Conditions d'utilisation, Politique de confidentialité et Politique sur les cookies de Brown Paper Tickets. Tous droits réservés. © 2000-2025 Mobile EN ES FR