X
How do I get paid? Learn about our new Secured Funds Program!
  View site in English, Español, or Français
The fair-trade ticketing company.
Sign Me Up!  |  Log In
 
Find An Event Create Your Event Help
 
Dan Friel, Brother JT, Mike Pace at Nhà Minh
Nhà Minh
Brooklyn, NY
Share this event:
Get Tickets
There are no active dates for this event.


Event

Dan Friel, Brother JT, Mike Pace at Nhà Minh
DAN FRIEL
http://danfriel.com/
PRESS:
"This is noise pop that doesn't stint on either side of the bargain, striking a perfect balance between cataclysmic and catchy." - Pitchfork

"They're not electronic dance music; they are marches and rockers, with melodies running at speeds from processional to punk while whizzing, crashing, sliding, beeping, chirping sounds ricochet all over. The key is that the melodies are hearty ones.. It's a merry onslaught." - The New York Times

"Fantastic miniature slabs of electronic noise, rhythm and melody, Friel's solo releases played to the lo-fi avant-garde set, but also manifested as melancholy pop." - NPR

"You're probably about 10 to 15% more powerful then you were before you heard that track" - Tom Ravenscroft, BBC

"Strange and wonderful, and best of all, unlike anything else we can think of." - Time Out New York

BROTHER JT
http://www.brotherjt.com/

Brother JT is John Terlesky, born 1962 in Easton, Pa. Founded garage pop band the Original Sins in 1987. First single, "Just 14", generated good press, as did debut LP, Big Soul (both released on Bar/None Records). Band went on to release 10 albums (including Peter Buck-produced Move), tour America & Europe, get MTV airplay, chart on CMJ, and generally raise a ruckus before calling it a day in 1999.

Somewhere around 1990, JT morphed into Brother JT (dubbed as such by journalist Byron Coley), an alter-ego that allowed him to express his more experimental/psych side. Beginning with the monolithic feedback piece Descent (Twisted Village), JT explored both solo bedroom recordings (Rainy Day Fun (Drunken Fish), and full band excursions (Music For the Other Head (Siltbreeze), as Brother JT & Vibrolux) eventually working with producer Neil Hagerty on Way To Go, and Spirituals (Drag City). Along the way he would tour with Bardo Pond, Royal Trux, Bevis Frond, Blonde Redhead, and Smog.

MIKE PACE
https://thechildactors.bandcamp.com/

The first thing you notice about Smooth Sailing, Mike Pace and the Child Actors' new LP, is that it gleams. Picture a studio stuffed with synth whizzes, session bassists, forty or fifty world-class audio engineers. Picture some label accountant rubbing his temples, grilling a Child Actor over some outrageous line item ("ten thousand dollars for 'vibe maintenance??'). Picture, of course, the man himself, Mike Pace: stomping around in a speedo and bathrobe, refusing sleep, verbally abusing children, sinking periodically into morose funks, instantaneously emerging from those funks with gnomic yet emotionally lucid career highlights like this album's "Troubleshooting," etc.
The reality is, in its way, even more outlandish. In the years since Pace adopted his Child Actors moniker and released Best Boy, he's had no fewer than two children, acquired a mortgage, and settled fully into a consuming job in production music. Smooth Sailing, then, was written and recorded in the cracks of a full and meaningful life: in those minutes or hours most of us use to watch bad TV, or stare blankly into the middle distance. And yet in terms of scope and lushness of sound, and in the way it updates and personalizes a whole slew of classic rock reference points, it stands with the best of War on Drugs or Father John Misty. Like those guys, Pace is first and foremost a nerd, the good kind: someone who cares passionately and unpretentiously about something most people never think about, specifically progressive rock and big-tent singer-songwriter stuff from the 1970s, and puts that care to productive artistic use.
On some level Smooth Sailing is its own classic rock radio station, diverse enough to appeal to a whole jammed freeway's worth of commuters. Some might prefer the Randy Newman/10cc-style "Senior Statesman" (one of Pace's full-fledged story songs, which some enterprising movie producer should option ASAP), others the perfect power-pop of "Blaster" (think Sugar, or Matthew Sweet). Undoubtedly some will cry right there in their cars to "Disconnected Heart," a ballad so beautiful you could picture a Xanax-addicted SoundCloud rapper sampling it. I personally love "Americana Manhasset"a pink-sunset ambient-instrumental track which harkens back to at least four imagined pasts, only one of which I lived through. (Credit goes as well to Matt LeMay, the producer/multi-instrumentalist who embellished, shaped and mixed each of the songs on Smooth Sailing.)
If you've ever listened to Pace's music you know this already, but just to be clear: this is no kind of bloodless genre exercise. As always with Pace, the cherished albums are all mixed up with the memories of those cherished albums, and with the memories those albums soundtracked, so that the resultfiltered through Pace's well-established interest in nostalgia, time's passing, etc.is on the one hand new and idiosyncratically Pace-imprinted and, on the other, familiar and comforting and kind of pleasantly sadpop sad.
This stuff might not sound much like Mike's last band, Oxford Collapsepossibly New York's last great indie rock band, before the whole operation shipped over to Philadelphiabut it definitely feels like Oxford Collapse, because all of Pace's songs yearn in this totally unique way. And as ever these songs are set in places built for yearning: beach towns, high school hallways, commuter trains. The yearning has something to do with growing up, with putting away childish things. A song like "Escape the Noise," with lyrics about giving up on guitars and "ragged nights," has a ton of parallels in Pace's discography, but this one's his bestfor many reasons, but especially because we now know for sure that he doesn't actually mean itthat he'll be writing about this stuff for a long while to come. - Daniel Kolitz

$10
21+, 8pm doors
Nhà Minh
485 Morgan Ave, Brooklyn
BROOKLYN, NY

L train to Graham Avenue stop is the best stop, or Nassau Avenue G. Either way they are about a six block walk.

wwweb: wondersofnaturebk.com
instagram: @wondersofnaturebk

Location

Nhà Minh (View)
485 Morgan Street
Brooklyn, NY 11249
United States

Categories

None

Kid Friendly: No
Dog Friendly: No
Non-Smoking: Yes!
Wheelchair Accessible: Yes!

Contact

Owner: CapeShok/Keith
On BPT Since: Apr 27, 2017
 
Nhà Minh


Contact us
Email
support@brownpapertickets.com
Phone
1-800-838-3006 (Temporarily Unavailable)
Resources
Developers
Help
Ticket Buyers
Track Your Order
Browse Events
Locations
Event Producers
Create an Event
Pricing
Services
Buy Pre-Printed Tickets
The Venue List
Find out about local events
Get daily or weekly email notifications of new and discounted events in your neighborhood.
Sign up for local events
Connect with us
Follow us on Facebook
Follow us on Twitter
Follow us on Instagram
Watch us on YouTube
Get to know us
Use of this service is subject to the Terms of Usage, Privacy Policy, and Cookie Policy of Brown Paper Tickets. All rights reserved. © 2000-2024 Mobile EN ES FR