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Flossless Presents: Death Valley Girls at Old Nick's Pub
Rock n roll has always served as a means to elevate the fringe of society, though its accentuated the plights of the outcasts and misfits in different ways throughout the years. In its infancy, rock was a playful rebuttal against segregation and Puritanism. In the 60s, it became a vehicle for an elevated consciousness. In the years following the Summer of Love and the clampdown on Flower Power, that countercultural spirit adopted the aggravated and occasionally nihilistic edge of bands like The Stooges, Black Sabbath, MC5, and The New York Dolls. And then as the 80s approached, popular rock n roll turned into a relatively benign celebration of hedonism and decadence, but that contingent of dark mystics from the 70s who lifted the veil and used music as a means of rallying people to altered planes had left their mark. It was an undercurrent in rock that would never die, but would percolate in corners of the underground. Today we can see it manifest in LAs Death Valley Girls.
The group feels less like a band and more like a travelling caravan. At their core, vocalist/multi-instrumentalist Bonnie Bloomgarden and guitarist Larry Schemel channel Death Valley Girls modern spin on Funhouses sonic exorcisms, early ZZ Tops desert-blasted riffage, and Sabbaths occult menace. Their relentless touring schedule means that the remainder of the group is rounded out by whichever like-minded compatriots can get in the van. On their third album Darkness Rains, bassist Alana Amram, drummer Laura Harris, and a rotating cast of guests like Shannon Lay and members of The Make Up, The Shivas, and Moaning help elevate the band from their rogue beginnings to a communal ritualistic musical force. On the surface level, Death Valley Girls churn out the hypercharged, in the red, scuzzy rock every generation yearns for, but there is a more subversive force percolating beneath the surface that imbues the band with an exhilarating cosmic energy.
Death Valley Girls sophomore album Glow In The Dark was based on the concept that many of us are trying to become more enlightened, and you can tell by the way they glow in the dark. Darkness Rains goes a step further, attempting to shift the consciousness of those that have not yet considered how we are all connected and how that relates to the way we view life beyond death. Those that glow can use the songs on Darkness Rains as new chantsor they can be used for pure entertainment. Songs come from beyond and other worlds, you just have to tune into the right radio wave signal to dial them in. Our signal happens to be in a 1970 Dodge Charger Spaceship, says Schemel.
Album opener More Dead is a rousing wake up call, with a hypnotic pentatonic guitar riff and an intoxicating blown-out fuzz-wah solo underscoring Bloomgardens consciousness-rattling proclamation that youre more dead than alive. The pace builds with (One Less Thing) Before I Die, a minute-and-a-half distillate of Detroits classic proto-punk sound. But at track three, Death Valley Girls hit their stride with Disaster (Is What Were After), a gritty, swaggering rager that takes the most boisterous moments off Exile On Main Street and beefs it up with Zeppelins devils-note blues. Darkness Rains retains its intoxicating convocations across ten tracks, climaxing on an astral plane with the hypnotic guitar drones and cult-like chants of TV In Jail On Mars.
Learn from the stars and beyond! Be happy and thankful we got to live together on Earth at the same time! And death is just a shiftstay alive and awake, Bloomgarden and Schemel respond when asked for a final thought on Death Valley Girls. Embrace the darkness and dont fear the Reaper. Suicide Squeeze Records is proud to further the cause by releasing Darkness Rains on October 5th, 2018 on LP/CD/CS/ and digital formats. The first vinyl pressing is limited to 1,500 copies. Both the cassette and vinyl include digital downloads.
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LocationOld Nick's Pub (View)
211 Washington St.
Eugene, OR 97401
United States
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