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Germaine Dulac Double Bill accompanied by the Rats and People Motion Picture Orchestra @ Robert Classic French Film Festival
Winifred Moore Auditorium, Webster University
Webster Groves, MO
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Ticket sales end 24 hours in advance and will be available at the door 1 hour prior to showtime. Contact Cliff Froehlich at Cinema St. Louis with any questions.




Event

Germaine Dulac Double Bill accompanied by the Rats and People Motion Picture Orchestra @ Robert Classic French Film Festival
The Cigarette/La Cigarette
Germaine Dulac, 1919, 50 min., B&W, silent, Blu-ray projection source, new restoration

The Smiling Madame Beudet/La souriante Mme. Beudet
Germaine Dulac, 1922, 43 min., B&W, silent, Blu-ray projection source, new restoration

With an original score and live accompaniment by the Rats & People Motion Picture Orchestra

A pioneering filmmaker and feminist, Germaine Dulac toggled between commercial and avant-garde modes, with one of her most famous works, The Seashell and the Clergyman (1928), prefiguring surrealism. Dulacs earliest extant title, The Cigarette concerns a liberated young woman and her older husband who believes she is having an affair. With its understated acting and location shooting, Dulac fuses realistic tendencies with impressionistic visual association. Considered one of Dulacs most feminist films, The Smiling Madame Beudet is also a crucial step in her continuing de-emphasis of traditional narrative structures in favor of visual association. The film offers a bleak portrait of marriage and its constraining effects on the woman, while vividly externalizing her dreams of liberation.

In her monograph Germaine Dulac: A Cinema of Sensations, scholar Tami Williams notes that the filmmaker played a founding role in the evolution of the cinema both as art and social practice. History has overlooked her importance as a pioneer of the 1920s French avant-garde, and as an innovator of a modern cinema. Over the course of her film career (191542), Dulac directed more than thirty fiction films, many marking new cinematic tendencies, from impressionist to abstract. She made an equivalent number of newsreels and several documentaries, whose discreet, unobtrusive approach to filming daily life had an important impact on the evolution of nonfiction filmmaking in France.


With an introduction and post-film discussion by Lionel Cuillé, the Jane and Bruce Robert professor of French and Francophone studies at Webster University.

Sponsored by Jane M. & Bruce P. Robert Charitable Foundation

Location

Winifred Moore Auditorium, Webster University (View)
470 E Lockwood Ave.
Webster Groves, MO 63119
United States

Categories

Film > Festivals
Film > Movies

Kid Friendly: Yes!
Dog Friendly: No
Non-Smoking: Yes!
Wheelchair Accessible: Yes!

Contact

Owner: Cinema St. Louis
On BPT Since: Mar 14, 2011
 
Cliff Froehlich
www.cinemastlouis.org/robe...


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