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Event
Head for the Hills
Head for the Hills has a simple but continuing dilemma they cant seem to resolve. Specialists have been hired to no avail and the predicament persists: how does one describe the multifarious music of Head for the Hills? Among the top contenders are catchy turns of phrase like post-bluegrass, progressive string music, modern acoustic noir, and bluegrass bricolage. On top of modern string music, (Bluegrass Today), Cutting edge (Drew Emmitt) or Best in Colorado Bluegrass (Westword Magazine Readers Poll)those are up there too. Strip away the artful descriptors and you have a forward thinking group of {mostly} acoustic musicians drawing on eclectic influences, tastes and styles. They didnt grow up immersed in bluegrass music but came to it later in life, with each other. The result is a sound based in bluegrass that reaches into indie rock, jazz, hip hop, world and folk to stitch together fresh songs that bridge the divide between past and future acoustic music.
Head for the HillsAdam Kinghorn on Guitar and vocals, Joe Lessard on violin and vocals, Matt Loewen on upright bass and vocals and Sam Parks on mandolin have been bringing their music, whatever youd like to call it, to audiences from the Telluride Bluegrass Festival to South by Southwest and a multitude of stages in between since 2004. The band has independently issued three studio records and one live, been featured on NPR Ideastream and eTown, co-released a beer with Odell Brewing Company and charted on the CMJ Top 200 (Blue Ruin, 2013 and Head for the Hills, 2010).
Meta-fictional sea shanties. Pop-infused newgrass murder ballads and urbane lyricism. Twang and punch. Head for the Hills fourth and latest record, Blue Ruin, fuses bluegrass, jazz, hip-hop and indie rock into songs inspired by love and misery and comic books. Featuring twelve original songs marked by moving narratives and stellar musicianship, Blue Ruin showcases the quartets contemporary take on acoustic music; embracing the bluegrass pedigree while looking forward. Recorded and mixed in Fort Collins, Colorado at Swingfingers Studios with ace engineer and banjoist Aaron Youngberg (Martha Scanlan, Cahalen Morrison and Eli West), Blue Ruin features contributions from Andy Hall (The Infamous Stringdusters), James Thomas, Gabe Mervine (The Motet), and more. Renowned screen print artist Timothy Doyle (Muse, The Black Keys, Lucas Films, NASA) created the stunning cover art and Grammy Award-winning mastering engineer David Glasser rounds out the production team. This is Head for the Hills at their most artistically fulfilled: self-produced and in top form. Blue Ruin is more than just a bluegrass recordits a Head for the Hills record.
A quintessential Colorado band, Head for the Hills has been fortunate to work with many of the area greats, starting with Grammy Award winning Dobroist Sally Van Meter, producer of 2007s Robbers Roost. Legacy Colorado musician and Leftover Salmon mandolin player Drew Emmitt came in to produce 2010s Head for the Hills. The list goes on, with a bevy of talent from Colorado and beyond surrounding 2010s Head for the Hills; including Grammy Award winning mixing engineer Vance Powell (Jack White, The Raconteurs), technical wizard and Pink Floyd re-master engineer Gus Skinas, Anders Beck (Greensky Bluegrass), Kyle James Hauser (Sonablast! Recording Artist, Rapidgrass Quintet) and keyboardist James Thomas, with String Cheese Incident guitarist and Colorado mainstay Billy Nershi rounding out the lineup as studio host and collaborator. In 2012 Head for the Hills released their first live record (Live). Captured in high fidelity sound & culled from 5 great nights in Colorado, Live is just that; the band live and unadorned, performing favorite original material and select covers.
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LocationApplegate Lodge (View)
15100 Highway 238
Applegate, OR 97530
United States
Categories
| Kid Friendly: Yes! |
| Wheelchair Accessible: Yes! |
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