Event

Salty Brine: Welcome to the Jungle

Photo by Marcus Middleton

Every summer, deep in the woods of New Hampshire, campers gather around a towering bonfire; They howl like wild dogs, stamp their feet upon the dirt, and recite the Law of the Jungle. Salty Brine continues his Living Record Collection with Harry Nilsson's hit album, Nilsson Schmilsson, woven through the stories of Rudyard Kipling's The Jungle Book like you've never heard them before. "Oh hear the call! - Good hunting all - that keep the Jungle Law!"

Salty Brine is a New York-based actor, playwright, and cabaret artist. He is the creative force behind The Spectacular Living Record Collection Cabaret, a series of performances built around popular albums. Time Out New York has called him the love child of a Paul Lynde, Liza Minnelli and Joel Grey in Cabaret threeway.

NY Credits: Clown Bar(Pipeline, The Box), How Did I Get Here?(Bowery Arts & Science), Vera; Or The Nihilists(HERE), Shannon Foy(Bowery Arts & Science), The Poor Of New York (Connelly Theater), Backstage At Horror Drag(Animals, Incubator Arts Project),Thanksgiving! A! Pageant!(Ars Nova), The Infernal Machine(CSV Cultural Center), Straight Talk(Dixon Place), Taylor Mac's The Lily's Revenge(HERE),Oh The Horror!(Naked Angels). Regional: The Elementary Spacetime Show (César Alvarez, Philly Fringe), The Baltimore Waltz(Cape Rep), Dead From New York (Diversionary Theatre). He is co-creator (with Justin Levine) of the vaudeville duo Pepper 'n Sam (Ars Nova, Joe's Pub). Salty is currently rewriting the libretto of the musical Kicks(score by Alan Menken). Faculty, Playwrights Horizons Theater School, NYU.

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Seating at Pangea is communal. Other guests may be seated at the table. There is a $20 per person food or beverage minimum at the tables. DINNER SEATING BEGINS AT 6:30PM.

Please arrive one half hour prior to the show and allow additional time if you are planning to have a dinner.

Late arrivals will be seated at management's discretion.

Downtowns intimate supper-club Pangea is the ultimate in alt, playing home to some of the best in alt cabaret. The New York Times recently called it a bohemian oasis not unlike the fabled Maxs Kansas City from days gone by."